With only a few short days left before Shadowbender is loose in the world, it seemed like a fine time to take a look at the artistic process that the Spiralchain graphic designer, Andrew J. Aguirre, has employed to give our series covers both a sense of continuity and a continuous forward motion.
The cover to Gatemaker started everything. Most of the design elements seen in the Shadowbender cover got their origin story with this design. For this cover, Andrew designed the now-famous 8 orbs of the Spiral, and we used a flare (or “lit”) state to indicate which worlds the book would be focused upon–in this case, Core, Onus, and Murrod. The color of the energy field surrounding the orbs–the chain, or what Andrew calls the galaxy–is in the red family. Each book has a distinctive color–a color used to determine its slipcase cover, for those that have purchased the deluxe editions from our annual Kickstarters. The color for Gatemaker is red.
The cover to Mindshaper began the use of a new graphic element–the creeping shadow, or rot, that extends up from Nur towards subsequent worlds in the Spiral. Note that as of this book, the rot is now visibly embracing Core, indicating that Core is vulnerable to Obliviate incursions when Spiralgates are opened to and from it. Also take notice of the change in lit status on the orbs–while Core and Onus remain active, Murrod has gone dark and been replaced with a lit version of Rettik. The chain field is much brighter and more cohesive on this cover–showing that more power is required by the chain in order to keep the Spiral whole. The color for this book is white.
Things are really starting to happen on the cover to Metalbreaker. The lit orbs have shifted again (now it is Onus, Arctos, and Murrod), but look at the depth of shadow on the Rot extending to Core. The danger to Core is greater than ever before in this image… but it isn’t the most terrifying change we see. Note that the pink orb, Rettik, has started to drift out of formation–a consequence of events described in Mindshaper. Also see the way the chain field has grown in intensity–it is fighting as hard as it can to hold it all together, but that is getting almost impossible to do. The color for Metalbreaker is green.
The cover to Fatewaker really clearly depicts the events of the book. Now lit are Depal, Onus, and Murrod, and note the sinister curling of the rot up from Core to brush against Depal. This incursion into the violet world also accounts for the vastly diminished flow of energy making up the chain field. While the galaxy pattern is still there, it is faded and worn out, now that the pink orb, Rettik, has completely left alignment. The force that protects the spiral of worlds from decay has been stretched past the breaking point, and the worlds seem all the darker for it. The color of Fatewaker is violet.
Shadowbender starts the second half of the series, and its cover brings two new elements to the table. First of all, there is the terrific sense of movement as the stars around the spiral fly past us. Events in the series are rapidly escalating, and you can feel that on this cover. Note the lit orbs are now Nur, Core, and Rettik–this is the first book that doesn’t have Onus lit! And the chain field has been stripped bare to reveal the DNA-like lattice underneath–reflecting Jara’s understanding of the universe. The rot creeps now towards Onus–an ominous sign–and the signature lightning in the eyes of the Obliviate apears in that grasping shadow for the first time. Also note that Rettik has broken completely free of the structure of the spiral–the ramifications of this will be felt in this very book. The color of Shadowbender is black.
I don’t know about you… but I can’t wait to see how the cover to the next book evolves!